Today I Made Bread


Recipe for no knead bread

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Cappumaccino 2

Like father, like son…

Previously

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For British Eyes Only @ Media Club


FBEO on MySpace

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jilliancyca.com

To coincide with my sister’s latest exhibition, I helped her make a new website.

Check it: jilliancyca.com


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Tokyo Home

Tokyo Home
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AutoTune in Popular Culture

AutoTune has officially been committed to the lexicon of the masses.

Evidence:

Evidence:

But somehow T-Pain himself still thinks AutoTune is the same as a Vocoder:

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Friends From School @ Backstage Lounge

Friends From School

Friends From SchoolFriends From School

Friends From SchoolFriends From School

Friends From SchoolFriends From School

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Seattle Airport, Terminal 1

Seattle Airport, Terminal 1
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Lower Manhattan

Meat packing district
Somewhere in the meat packing district
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Estelle’s “American Boy” mastering is shit

Listen to this…

This is an incredibly catchy song, but how did it make it to market with such poor audio quality? It distorts throughout, but not in the warm way… more in the no-regard-for-digital-full-scale way.

I decided to investigate in Pro Tools…

Yeah. Except for the intro, the whole thing is pegged. This is what the channel strip looked like most of the time…

Now I understand that this is sort of typical of the music of our day. There is the so-called loudness war and every mastering engineer wants their track to have the highest possible RMS so that it sounds really loud. It’s a tragedy of the commons.

But this isn’t even the same thing—it’s way worse. This song isn’t just compressed and limited, it’s actually clipping. A lot.

Here’s a zoomed in portion of the song at 2:51 (2:27 in the video version above) where it kind of breaks down and Kanye does his thing. Totally clipped.

Seriously. wtf.

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